ambient Archive
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Death Metal – die mit Abstand langweiligste Musikrichtung ever, woran auch OWL aus dem Hause Zeitgeister, mit ihrer relativ hörbaren Variante, NICHTS ändern, die sie auf ihrem Zweitwerk “You Are The Moon, I Am The Night” kredenzen.
Gleich sämtlichen Materials aus dem Zeitgeister Umfeld erscheint auch “You Are The Moon, I Am The Night” von OWL [...]](http://kulturterrorismus.de/wp-content/uploads/2013/06/OWL-YouAreTheMoonIAmTheNight2013-115x115.jpg "OWL – You Are The Moon, I Am The Night")
OWL – You Are The Moon, I Am The Night
Posted on 19. Juni 2013 | Keine KommentareTweet Death Metal – die mit Abstand langweiligste Musikrichtung ever, woran auch OWL aus dem Hause Zeitgeister, mit ihrer relativ hörbaren Variante, NICHTS ändern, die sie auf ihrem Zweitwerk “You Are The Moon, I Am The Night” kredenzen. Gleich sämtlichen Materials aus dem Zeitgeister Umfeld erscheint auch “You Are The Moon, I Am The Night” von OWL [...] -
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With “Kuroi Mori” the well known musician STEFAN SCHMIDT (also known as FARANG) created a short soundtrack(?) for GARLAND COO‘s installation during “outer dark: continuing after fashion” (13 june – 15 september 2013, Museum für angewandte Kunst, Frankfurt). His music based on field recordings (stones, earth, water, wood and other sounds sources from the black [...]](http://kulturterrorismus.de/wp-content/uploads/2013/06/StefanSchmidt-KuroiMori2013-115x115.jpg "STEFAN SCHMIDT/ FARANG – Kuroi Mori")
STEFAN SCHMIDT/ FARANG – Kuroi Mori
Posted on 19. Juni 2013 | Keine KommentareTweet With “Kuroi Mori” the well known musician STEFAN SCHMIDT (also known as FARANG) created a short soundtrack(?) for GARLAND COO‘s installation during “outer dark: continuing after fashion” (13 june – 15 september 2013, Museum für angewandte Kunst, Frankfurt). His music based on field recordings (stones, earth, water, wood and other sounds sources from the black [...] -
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Innerhalb des riesigen, fast unüberschaubaren, AIDAN BAKER Backkatalogs stellt der kurze, aber intensive Livemitschnitt “Live at Lab.30” eine winzige Nuance dar, die die hard Fans des Kanadiers nicht missen sollten.
Seit geraumer Zeit verfügt der Augsburger Verlag Attenuation Circuit über eine Kooperation mit dem örtlichen Festival Lab.30, das vor allem elektronischen Klängen Heimat bietet, welche teilweise [...]](http://kulturterrorismus.de/wp-content/uploads/2013/06/AdainBaker-LiveatLab302013-115x115.jpeg "AIDAN BAKER – Live at Lab.30")
AIDAN BAKER – Live at Lab.30
Posted on 17. Juni 2013 | Keine KommentareTweet Innerhalb des riesigen, fast unüberschaubaren, AIDAN BAKER Backkatalogs stellt der kurze, aber intensive Livemitschnitt “Live at Lab.30” eine winzige Nuance dar, die die hard Fans des Kanadiers nicht missen sollten. Seit geraumer Zeit verfügt der Augsburger Verlag Attenuation Circuit über eine Kooperation mit dem örtlichen Festival Lab.30, das vor allem elektronischen Klängen Heimat bietet, welche teilweise [...] -
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JACOB BRANT – mostly known under his pseudonym YAKOBFINGA, offers with “In A Birdless Dawn” a free 5-track netrelease for lovers of touching guitar drones! The UK based artist don’t creat independet but intensive tunes, which reminiscent of the german drone legend TROUM! Donwload “In A Birdless Dawn” of JACOB BRANT for free donation @ [...]](http://kulturterrorismus.de/wp-content/uploads/2013/06/JacobBrant-InABirdlessDawn2013-115x115.jpg "JACOB BRANT – In A Birdless Dawn")
JACOB BRANT – In A Birdless Dawn
Posted on 17. Juni 2013 | Keine KommentareTweet JACOB BRANT – mostly known under his pseudonym YAKOBFINGA, offers with “In A Birdless Dawn” a free 5-track netrelease for lovers of touching guitar drones! The UK based artist don’t creat independet but intensive tunes, which reminiscent of the german drone legend TROUM! Donwload “In A Birdless Dawn” of JACOB BRANT for free donation @ [...] -
JOHN 3:16 – Israel Tour Visuals / March 2013 (excerpt)
Posted on 17. Juni 2013 | Keine KommentareTweet JOHN 3:16 – Israel Tour Visuals / March 2013 (excerpt) from Alrealon Musique on Vimeo. Tweet JOHN 3:16 – Israel Tour Visuals / March 2013 (excerpt) from Alrealon Musique on Vimeo. -
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“This track is a direct reaction to the “Prism”-leak, committed by EDWARD SNOWDEN. This is the reaction that I am capable of when facing a superior enemy that I, as a single man, can’t defeat nor fight. EDWARD SNOWDEN did. I don’t want to glorify a person but show a reaction. I don’t want to blame [...]](http://kulturterrorismus.de/wp-content/uploads/2013/06/AusdemInnerenDesUterus-TrustUs2013-115x115.jpg "AdIdU – Trust Us. Trust Us. Trust Us. Repeat!")
AdIdU – Trust Us. Trust Us. Trust Us. Repeat!
Posted on 15. Juni 2013 | Keine KommentareTweet “This track is a direct reaction to the “Prism”-leak, committed by EDWARD SNOWDEN. This is the reaction that I am capable of when facing a superior enemy that I, as a single man, can’t defeat nor fight. EDWARD SNOWDEN did. I don’t want to glorify a person but show a reaction. I don’t want to blame [...] -
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After BLUE SAUSAGE INFANT (1985 – 2013) the Washington DC based artist CHESTER HAWKINS produce music under the pseudonym SEMISOLD! His sound (on the self titled debut) can be described as fusion of the styles musique concréte, drone, noise and mostly krautrock. If you search for deamding film soundtracks (with deep inner cinema), taste SEMISOLD, [...]](http://kulturterrorismus.de/wp-content/uploads/2013/06/Semisold-Semisold2013-115x115.jpg "SEMISOLID – SEMISOLID")
SEMISOLID – SEMISOLID
Posted on 14. Juni 2013 | Keine KommentareTweet After BLUE SAUSAGE INFANT (1985 – 2013) the Washington DC based artist CHESTER HAWKINS produce music under the pseudonym SEMISOLD! His sound (on the self titled debut) can be described as fusion of the styles musique concréte, drone, noise and mostly krautrock. If you search for deamding film soundtracks (with deep inner cinema), taste SEMISOLD, [...] -
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“”Synthetics – Themes” (recorded 1986 – 1987) album is one of the first records, where VLADIMIR HIRSCH neglects compositional scheme of classical music and moves on to conceptual structures typical for ambient and experimental synth music of late 80ties. This release on CS INDUSTRIAL label contains also never before released bonus track ‘Selenium’, an experimantal [...]](http://kulturterrorismus.de/wp-content/uploads/2013/06/VladimirHirsch-SyntheticsThemes2013-115x115.jpg "VLADIMIR HIRSCH – Synthetics – Themes")
VLADIMIR HIRSCH – Synthetics – Themes
Posted on 10. Juni 2013 | Keine KommentareTweet “”Synthetics – Themes” (recorded 1986 – 1987) album is one of the first records, where VLADIMIR HIRSCH neglects compositional scheme of classical music and moves on to conceptual structures typical for ambient and experimental synth music of late 80ties. This release on CS INDUSTRIAL label contains also never before released bonus track ‘Selenium’, an experimantal [...] -
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If you like abstract electroacoustic, industrial tunes and experimental ambient, taste this Best of “The End Is We Begin” by 1Q0Q1, which is a free netrelease on OZKY E-SOUND NETLABEL!
Tweet If you like abstract electroacoustic, industrial tunes and experimental ambient, taste this Best of “The End Is We Begin” by 1Q0Q1, which is a free [...]](http://kulturterrorismus.de/wp-content/uploads/2013/06/TheEndIsWeBegin-BestOf1q0q12013-115x115.jpg "The End Is We Begin: Best of 1Q0Q1")
The End Is We Begin: Best of 1Q0Q1
Posted on 9. Juni 2013 | Keine KommentareTweet If you like abstract electroacoustic, industrial tunes and experimental ambient, taste this Best of “The End Is We Begin” by 1Q0Q1, which is a free netrelease on OZKY E-SOUND NETLABEL! Tweet If you like abstract electroacoustic, industrial tunes and experimental ambient, taste this Best of “The End Is We Begin” by 1Q0Q1, which is a free [...] -
EKS.CENTER – Red Blossons (trailer)
Posted on 9. Juni 2013 | Keine KommentareTweet Tweet
